WHO GETS TO EAT?
WHO GETS TO EAT?
Welcome to the grounding page for Sweeney and Society. Here you can find all relevant information for this fall’s production!
The Team
Producer: Isaac Dorio (Cornell, ‘26)
Asst. Producer: Emma Alexander (Cornell, ‘26)
Director: Avery Wrobel (IC, ‘28)
Music Director: Isaac Dorio (Cornell, ‘26)
Vocal Asst. MD: Pedro Villa-Forte (Cornell, ‘27)
Orchestra Asst. MD: Noah Lee (Cornell, ‘27)
Dramaturg: Winter Paul (IC, ‘26)
Technical Director: Bailey Hecht (Cornell, ‘27)
Scenic Designer: Oliver Greenwood (IC, ‘26)
Props Coordinator: Kate Quirus (IC, ‘28)
Lighting Designer: Gwendolyn Simon (Cornell, ‘27)
This fall’s team includes a hybrid of talent from both Cornell and Ithaca College. We are so excited to announce our directorial team and select members of our creative team who will lead us through the production process!
Auditions
Here you will find the required excerpts needed for auditions. Use the drop-down menus to find links for song and monologue excerpts as well as character breakdowns. When ready, use the form linked below to schedule an audition with us on April 25, 26, or 27.
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Sweeney Todd: Sweeney escaped from prison after being wrongfully accused and jailed for fifteen years. Formerly a proud barber, a loving husband and a happy father, Sweeney is now consumed by loss and revenge. He has returned to London to right the wrongs committed against him, his wife, and his daughter. Sweeney is charming but hot-tempered, ferocious yet vulnerable. Strong baritone/bass. Speaks with an Estuary or London dialect.
Mrs. Lovett: An entrepreneurial meat pie shop owner who will do whatever it takes to survive. She is in love with Todd and hopes that he’ll forget the past and build a new life with her. At first shocked by Sweeney’s bursts of violence, Lovett turns his desire for revenge into a profitable business venture. She is resourceful, ambitious, charismatic, and has great comedic timing. Mezzo with belt. Speaks with a Cockney accent.
Anthony Hope: A youthful sailor who helps Sweeney return to London and unexpectedly falls in love with Johanna. He is idealistic, romantic and a little reckless. His passions sometimes get the better of his reason and his enthusiasm sometimes makes him unintentionally comedic. Over the course of the show, he awakens to the horrors around him and becomes disillusioned with London. Tenor. Speaks with a standard British accent (RP).
Johanna: Todd's long-lost daughter and Judge Turpin's young ward. Homeschooled and largely homebound. She has a rebellious, subversive and romantic streak and longs to escape her confinement. Johanna is aware that Judge Turpin isn’t her real father and suspects that he might be a predator. Like her father, she has experienced trauma and possesses a buried capacity for violence. Although described as “pale” and “yellow haired,” we are not taking this literally. Soprano. Speaks with a standard British accent (RP).
Tobias Ragg: A poor youngster apprenticed first to Pirelli and then to Mrs. Lovett. He is industrious and eager to please, with a good sense of humor. Uneducated, but innately clever and observant, Tobias responds quickly to the kindness of Lovett but grows increasingly suspicious of Sweeney. After a betrayal, Toby experiences the violence and terror of this world and snaps. Or maybe he just becomes like everyone else. Tenor. Speaks with a Cockney accent.
Judge Turpin: A lecherous public official who portrays himself as a sanctimonious authoritarian. He takes advantage of his position to imprison Todd, assault Lucy, and take Johanna in as his ward. He is aware that what he wants and what he’s done is wrong yet chooses to ignore or push against his conscience. Embodies Puritanical hypocrisy: he lusts after Johanna, even as he professes to keep her innocent. Bass/baritone. Speaks with a standard British accent (RP).
Beadle Bamford: A pompous public official who is responsible for the health and safety of London. He possesses a dry, deadpan sense of humor and enjoys wielding his power. He is not a sniveling civil servant. He is deeply loyal to Turpin, though in his heart of hearts he believes he’s better than the judge. The Beadle loves singing children’s nursery rhymes, which remind him of his youth. Tenor with a strong falsetto. Speaks with a standard British accent (RP).
Beggar Woman/Lucy Barker: An eerie, poor soul living on the streets of London. She supports herself by begging and prostituting herself to sailors. The Beggar Woman is Sweeney’s wife, Lucy, who lost her mind after being assaulted by Turpin and taking poison. She has occasional flashes of lucidity and distrusts Mrs. Lovett. Like the oracle Cassandra, she is the only one who sees what’s happening, but no one will listen to her. Mezzo. Speaks with a Cockney or Estuary accent.
Adolfo Pirelli: An Irish former employee of Sweeney’s who has since developed a public persona as a flamboyant and flashy world-famous Italian barber. A charlatan who sells fake medicine and challenges other barbers to shaving contests. Pirelli is charming, calculating, and over-the-top comedic. Possess some anti-English sentiments and does not take lightly to being publicly embarrassed by Sweeney. High tenor. Speaks in both an Italian and Irish accent.
Jonas Fogg: The owner of Fogg's Asylum. Fogg sells the hair of inmates to wigmakers. Considers the inmates “children” and takes pleasure in showing them off to visitors. Chooses to ignore the human rights of his patients in the name of scientific progress. An authoritarian who is really a coward at heart. Speaking role who sings with the ensemble. Speaks with an Estuary dialect.
Ensemble: The ensemble acts as a Greek Chorus, commenting on the action and participating in the tale. They are the show’s chief storytellers, taking on the roles of customers, townspeople, police, inmates at the insane asylum, Sweeney’s thoughts, and Sweeney’s victims. They stand in for us and there is a feeling of them always being nearby, watching. The ensemble gets ample opportunities for vocal challenges and is showcased with solos and harmonies throughout the show. Sopranos, altos, tenors, baritones, and basses. Accents not necessary.
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Sweeney Todd: My Friends
Mrs. Lovett: The Worst Pies in London
Anthony Hope: Johanna
Johanna: Green Finch and Linnet Bird
Tobias Ragg: Pirelli’s Magical Elixir
Judge Turpin: Johanna (Mea Culpa)
Beadle Bamford: Ladies in their Sensitivities
Beggar Woman/Lucy Barker:
Adolfo Pirelli: The Contest
Jonas Fogg:
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It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.
This fall’s production of Sweeney will serve as a component of Isaac’s honors thesis that situates musical theater as a socially constructed field where meaning is negotiated between participants in an ongoing and evolving process of learning. Through anthropological research methods, Isaac will draw from intercollegiate collaborations across Cornell and Ithaca College and explore how interdisciplinary endeavors can foster collaboration and connection across differences and serve as a vehicle for social change.
Of course, a production like this is no small undertaking. On behalf of the entire production team, we would be so grateful for any small donation you could make to help our vision come to fruition. Use the button to the right to donate to our crowdfunding page and help us learn something new through the process of musical theater!